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Art Gallery of Ontario partners with Tate Modern to present Georgia O’Keeffe retrospective in summer 2017

Career-spanning retrospective to make its only North American stop in Toronto

TORONTO – The Art Gallery of Ontario (AGO) is set to present a major retrospective of pioneering American painter Georgia O’Keeffe (1887–1986), featuring over 100 works of art by one the 20th century’s most successful and influential modernists. The exhibition will examine O’Keeffe’s entire career, charting the progression of her practice from her early abstract experiments to her late work, in addition to her trajectory west, and her profound influence and legacy. Organized by Tate Modern in collaboration with the AGO and the Bank Austria Kunstforum, Vienna, Georgia O’Keeffe will make its only North American stop in Toronto running from April 22 to July 30, 2017.

Opening with the moment of her first showings at the 291 gallery in New York in 1916 and 1917, the exhibition will feature O’Keeffe’s earliest mature works made while she was working as a teacher in Virginia and Texas. The works on display—from her charcoals to a select group of vibrant watercolours and oils— investigate the relationship of form to landscape, music, colour and composition, and reveal O’Keeffe’s growing interest in synaesthesia: the ability to interpret music as colour.

A section in the exhibition will consider O’Keeffe’s professional and personal relationship with her husband, world-renowned photographer, art dealer and modern art advocate Alfred Stieglitz (1864–1946). A selection of photography by Stieglitz will be shown, including portraits and nudes of O’Keeffe, as well as key figures from the avant-garde art circle of the time, including Marsden Hartley (1877–1943) and John Marin (1870–1953).

Still life formed an important theme within O’Keeffe’s work, most notably in her representations and abstractions of flowers. The exhibition will explore how these works reflect the influence she took from modernist photography. O’Keeffe’s most persistent source of inspiration, however, was nature and the landscape; she painted both figurative works and abstractions drawn from landscape subjects. From the Faraway, Nearby (1937) and Red and Yellow Cliffs (1940)—both on loan from the Metropolitan Museum of Art, New York—chart the artist’s progressive immersion in New Mexico’s distinctive geography. Stylized paintings of the location she called the “Black Place” will be at the heart of the exhibition.

The exhibition is accompanied by a catalogue from Tate Publishing, offering new scholarship on O’Keeffe and her work. It includes contributions from the curators in addition to renowned visual theorist and cultural analyst Griselda Pollock.

“This partnership with Tate Modern adds to the slate of major collaborations we have established with some of the best art institutions in the world,” says Stephanie Smith, AGO Chief Curator. “Due to its depth, scope, and its focus on dispelling persistent clichés surrounding the work of this great artist, this will be one of the most significant exhibitions of O’Keeffe’s art ever presented in Canada. We’re delighted to work with our colleagues in London to bring it to Toronto.”

Georgia O’Keeffe is organized by Tate Modern in collaboration with Bank Austria Kunstforum, Vienna and the Art Gallery of Ontario, Toronto. It is curated by Tanya Barson, Curator, Tate Modern with Hannah Johnston, Assistant Curator, Tate Modern. The Toronto installation of Georgia O’Keeffe will be led by the AGO’s Georgiana Uhlyarik, Associate Curator, Canadian Art.

More information about the exhibition will be released at a later date.

ABOUT THE AGO
With a collection of more than 90,000 works of art, the Art Gallery of Ontario is among the most distinguished art museums in North America. From the vast body of Group of Seven and signature Canadian works to the African art gallery, from the cutting-edge contemporary art to Peter Paul Rubens’ masterpiece The Massacre of The Innocents, the AGO offers an incredible art experience with each visit. In 2002 Ken Thomson’s generous gift of 2,000 remarkable works of Canadian and European art inspired Transformation AGO, an innovative architectural expansion by world-renowned architect Frank Gehry that in 2008 resulted in one of the most critically acclaimed architectural achievements in North America. Highlights include Galleria Italia, a gleaming showcase of wood and glass running the length of an entire city block, and the often-photographed spiral staircase, beckoning visitors to explore. The AGO has an active membership program, and the AGO’s Weston Family Learning Centre offers engaging art and creative programs for children, families, youth and adults. Visit ago.net to find out more.

March 12 – May 29, 2016:        Outsiders: American Photography and Film 1950s–1980s

July 1 – Sept. 11, 2016:            The Idea of North: The Paintings of Lawren Harris

Oct. 22, 2016 – Jan. 29, 2017:  Mystical Landscapes: Masterpieces from Monet, Van Gogh and more

The Art Gallery of Ontario is funded in part by the Ontario Ministry of Tourism, Culture and Sport. Additional operating support is received from the City of Toronto, the Canada Council for the Arts and generous contributions from AGO members, donors and private-sector partners.

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For hi-res images and other press inquiries, please contact:

Andrea-Jo Wilson
Senior Communications Officer

416-979-6660, ext. 403
andrea-jo_wilson@ago.net

Caitlin Coull
Manager, Communications

416-979-6660, ext. 364
caitlin_coull@ago.net

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