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singing softly when no one's around
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Curious about our security guards and their perspectives on art in our collection? Check out the AGO’s Youth Council project created in collaboration with artist Abbas Akhavan. In 2015 they interviewed eight security guards about their lives, their role at the Gallery and their favourite work of art. The project’s title is taken from one of the interviews.

Pick up a map in the main lobby to plan your tour or discover the works on your own. 

 

 

Meet the Guards

carol

Carol Malabre

Lawren Harris, Baffin Island Mountains c.1931 oil on canvas. The Thomson Collection © Art Gallery of Ontario

"Henry Moore can be empty sometimes, so when I know there's no one around, I go around and sing softly."

Listen to the Interview here


Chetty

Pragashan Chetty

Cornelius Krieghoff, The Trappers’ Return, 1861 oil on canvas. The Thomson Collection © Art Gallery of Ontario

“I think that a lot of the guests pretty much think that we are one-dimensional types of people, that we are just the Robocop type of guy. But I think when they talk to us, they’re pleasantly surprised that we do know a lot about art.”

Listen to the Interview here


joy

Joy Matthias

Attributed to Master of the Kress Epiphany, The Expulsion of the Money-Changers, around 1480–1500, oil on wood. Gift of Joey and Toby Tanenbaum, 1988.

“I would look at an art piece and would stand here and study it and think to myself how the artist created it. I would also think about God and my life. I would think about how lucky I am to be in such a beautiful environment.”

Listen to the Interview here


andrew

Andrew Abdool

John William Waterhouse, “I Am Half Sick of Shadows” said the Lady of Shallot, 1915, oil on canvas. Gift of Mrs. Philip B. Jackson, 1971.

“My life has been a lot of backstage...if I were a chess piece, I would be a pawn. So, society does not have a lot of expectations for me or placed a lot of value unfortunately for a person that works in my job...”

Listen to the Interview here


nick

 

Nick Skibinsky

Kent Monkman, The Academy, 2008, acrylic on canvas. Purchased with the assistance of the David Yuile and Mary Elizabeth Hodgson Fund, 2008

“Art was something in my life I never paid attention to. You sometimes would read in the newspaper, ‘oh this piece of art cost this much.’ You are like, ‘Oh my God. Why would someone pay that much?’ But when you learn the history behind the piece, and everything, it gives you that appreciation.”

Listen to the Interview here


joe

Joe Ruvolo

George Frederic Watts, The Sower of Systems, 1902, oil on canvas. Gift of Joey and Toby Tanenbaum, 1971; donated by the Ontario Heritage Foundation, 1988.

“I’m a painter. I painted an awesome painting. And of course it’s the one that scares everyone in the house.”

Listen to the Interview here


otto

Otto Reyes

Sigismund Christian Hubert Goetze, The Ever Open Door, 1906, oil on canvas. Gift of Mrs. S. Goetze, 1925.

“The amount of people that you actually meet if you just keep an open mind and willingness to talk to people, it’s amazing. You can learn something from every single person that you meet.”

Listen to the Interview here


donoven

Donovan Bennett

David Milne, The Line Fence, January 31, 1920, oil on canvas mounted on hardboard. The Thomson Collection © Art Gallery of Ontario.

“I could go to dinner and I’d be able to hold my own conversation. I’m not gonna be the smartest guy in the dinner table but I know a couple of tidbits about art now."

Listen to the Interview here

Lead Sponsor, AGO Youth Programs

Generously supported by

  • Robert Harding & Angel Yang
  • Nancy E.A. Main

With assistance from

  • The Lloyd Carr-Harris Foundation