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Light and Colour (Goethe’s Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis, Exhibited 1843, Joseph Mallord William Turner 1775–1851, Accepted by the nation as part of the Turner Bequest 1856. Photography © Tate, London 2015

Fire at the Grand Storehouse of the Tower of London, 1841, Joseph Mallord William Turner 1775–1851, Accepted by the nation as part of the Turner Bequest 1856. Photography © Tate, London 2015

Fire at the Grand Storehouse of the Tower of London, 1841, Joseph Mallord William Turner 1775–1851, Accepted by the nation as part of the Turner Bequest 1856. Photography © Tate, London 2015

Snow Storm – Steam-Boat off a Harbour’s Mouth, Exhibited 1842, Joseph Mallord William Turner 1775–1851, Accepted by the nation as part of the Turner Bequest 1856. Photography © Tate, London 2015

The Angel Standing in the Sun, Exhibited 1846, Joseph Mallord William Turner 1775–1851, Accepted by the nation as part of the Turner Bequest 1856. Photography © Tate, London 2015

The Blue Rigi, Sunrise, 1842, Joseph Mallord William Turner 1775–1851, Purchased with assistance from the National Heritage Memorial Fund, the Art Fund (with a contribution from the Wolfson Foundation and including generous support from David and Susan Gradel, and from other members of the public through the Save the Blue Rigi appeal), Tate Members and other donors 2007. Photography © Tate, London 2015

The Departure of the Fleet, Exhibited 1850, Joseph Mallord William Turner 1775–1851, Accepted by the nation as part of the Turner Bequest 1856. Photography © Tate, London 2015

The Dogano, San Giorgio, Citella, from the Steps of the Europa, Exhibited 1842, Joseph Mallord William Turner 1775–1851, Presented by Robert Vernon 1847. Photography © Tate, London 2015

The Sun of Venice Going to Sea, Exhibited 1843, Joseph Mallord William Turner 1775–1851, Accepted by the nation as part of the Turner Bequest 1856. Photography © Tate, London 2015

Regulus, 1828, reworked 1837. Oil paint on canvas, 89.5 x 123.8 cm
Tate. Accepted by the nation as part of the Turner Bequest 1856. Courtesy of Tate Photography

Ancient Rome; Agrippina Landing with the Ashes of Germanicus, Exhibited 1839, Joseph Mallord William Turner 1775–1851, Accepted by the nation as part of the Turner Bequest 1856. Photography © Tate, London 2015

War. The Exile and the Rock Limpet, Exhibited 1842, Joseph Mallord William Turner 1775–1851, Accepted by the nation as part of the Turner Bequest 1856. Photography © Tate, London 2015

Peace – Burial at Sea, Exhibited 1842, Joseph Mallord William Turner 1775–1851, Accepted by the nation as part of the Turner Bequest 1856. Photography © Tate, London 2015

Venice: An Imaginary View of the Arsenale, c. 1840, Joseph Mallord William Turner 1775–1851, Accepted by the nation as part of the Turner Bequest 1856. Photography © Tate, London 2015

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